The cover price is US$30.00. This book contains 127 pages.
The
Physics, Chemistry and Perception of Colored Flames, Part 1 |
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The first part of this three-part monograph presents an in-depth
examination of the development of light theory; mechanisms of light
generation in flames; atomic line, molecular band and continuous spectra;
the definition, laws and measurement of color; chromaticity diagrams
and how the pyrotechnist can use this knowledge of physics in planning
colored flame formulations of optimal purity. |
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Taming
Triangle Diagrams |
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A “dialogue” is presented wherein the au-thor demystifies the triangle
diagram or trigonometrical graph and shows how it can be a means of
discovering hidden relationships between the components of a pyrotechnic
composition, finding optimum formulations for a pyrotechnic system,
and for summarizing the results of pyrotechnic experiments. |
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Festival
Ball Comets |
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Festival ball comets are inexpensive, easy to assemble and produce
a nice effect. Before discussing their construction, let me acknowledge
that, as far as I know, the basic idea for this firework originated
with Bob Winokur. |
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The
Physics, Chemistry and Perception of Colored Flames, Part 2 |
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This paper is intended to benefit readers who do not
enjoy a thorough understanding of chemistry. Thus, before dealing
with more advanced topics, a discussion of some aspects of general
chemistry may be of benefit. Any reader with an understanding of chemical
symbols and the Periodic Table, chemical formulas and IUPAC nomenclature,
chemical equations, the idea of reversibility and Le Châtelier’s Principle,
stoichiometry and mole weights should skip ahead to section 4.2. |
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An
Idea for Small Shows |
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One problem commonly faced by smaller display operators is the sponsor
of an inexpensive show ($1000 to $5000) who wants a longer show than
he has money for. The obvious solution, slowing down the firing, is
usually a poor choice. Some slowing may be practical, but often the
sponsor of these small shows wants about twice as much show as they
have money. If you slow things down that much, you are guaranteed
to disappoint the audience.
Almost all the displays we do are small shows. As the result, we
have spent considerable time trying to come up with ways to give
more show for the same money. One idea that has worked particularly
well, when circumstances allow, is to interrupt the show with a
short fireworks demonstration. |
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Electrical
Firing of Musically Choreographed Aerial Fireworks Displays |
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There are a number of reasons why one might be reluctant to consider
abandoning traditional show firing methods in favor of performing
electrically fired shows, especially those choreographed to a musical
program. One reason is the perceived high cost of performing such
shows. Other reasons might be a lack of detailed knowledge about performing
such displays or the lack of a full appreciation of the benefits to
be gained. It is the purpose of this paper to present detailed information
concerning the staging of electrically fired aerial displays choreographed
to music. However, in the process we hope to show how high initial
costs can be offset in a relatively short time by increased profit.
Also we hope it will become clearer that there are other benefits
to be gained.
This paper is divided into two major sections. The first discusses
electrical firing methods, not from a theoretical orientation, but
rather by addressing the practical application of theory. (Note
that a comprehensive and well written discussion of theoretical
aspects of electric matches, wiring and firing controllers has been
authored by Sam Bases. The second section addresses details of musically
choreographed display design and performance.
This paper will discuss the methods used by the authors for shows
priced between $1,000 and $20,000. This approach was chosen in part
to limit the length of this paper, but mostly because it is only these
methods about which the authors have had extensive experience. Certainly
it is not intended to imply that these methods are the only approach
or even the best approach. However it should at least serve to demonstrate
all the important aspects of electrically fired shows cho-reographed
to music. For readers who have not yet begun performing such displays,
hopefully, this paper will serve as a starting point from which their
methods can be developed. For readers already performing such displays,
this paper may present some alternate ideas that may be of some use.
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Sizzling
Colored Comets |
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The sizzling colored comets described in this article have brilliantly
colored heads, have short white tails and produce a sound much like
frying bacon. They are very simple modifications of standard potassium
perchlorate color compositions, are inexpensive and are relatively
easy to make. These sizzling colored comets are suitable for use as
comet stars in shells or for use as single large comets. |
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HDPE
Mortars for Electrically Fired Displays |
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When firing by hand, the problems of steel mortars can easily be
overlooked. However, even for relatively small electrically fired
displays, steel mortars and the usual alternatives (paper and PVC
mortars) have limitations that are difficult to cope with. |
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Economics
of Plastic Shell Construction |
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One hears a number of reasons why some manufacturers are reluctant
to seriously consider the use of plastic shells. Among these are a
feeling that it would somehow represent a betrayal of tradition and
aesthetic values; the problem of long lasting debris; that it requires
the learning and application of significantly different techniques,
which translates into development costs. I understand all of these
reactions quite well; I felt and expressed them myself in the past.
It was a slow and sometimes trying metamorphosis from the position
I expressed in the past to the one I now take. |
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An
Evaluation of "Pyro-Flake" Titanium for Use in Fireworks |
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Several months ago, our company was approached by the Suisman Titanium
Corporation. They told us that they were considering introducing some
new titanium products specifically intended for the fireworks trade,
and that their materials would be priced below that of titanium sponge.
They asked whether we would perform an evaluation of their “Pyro-Flake”
titanium and make recommendations concerning the introduction of their
products to the fireworks trade. We performed that study, and one
of our recommendations was that a condensed report of our study be
published. This article is that condensed report and was in part subsidized
by Suisman Titanium. However, Suisman Titanium has asked us to be
completely candid, and they have not exerted any editorial control
over the content of this article. |
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RAP
Shell Assembly Techniques |
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We have had a high degree of success using RAP Shells. Assembly
times are a small fraction of what is required for Italian style construction
and nicely symmetric breaks can be achieved when the proper techniques
are employed. This article is a summary of successful methods used
by us and reported to us by others. However, no attempt will be made
to give detailed step by step instructions, nor will the information
in our “Guidelines for Assembling RAP Shells” be repeated
here. While the information presented below is particularly relevant
for RAP Shell assembly, much also applies to assembling other types
of plastic and plastic/paper shells as well. To assist those readers
who may not be familiar with RAP Shells, two figures have been included. |
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Destructive
Testing & Field Experience with HDPE Mortars |
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In an earlier article on High Density Polyethylene (HDPE) mortars,
results from an initial series of tests were published (Pyrotechnics
Guild Int’l. Bulletin, No. 54, p 5). Those results will not be
repeated here. This article continues by presenting the results from
an additional test, a summary of the author’s field experience since
the first article, and comments on HDPE mortar use in England by Rev.
Ron Lancaster. |
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Understanding
Product Liability (Parts I and II) |
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During the past couple years, in the course of assisting attorneys
as an expert witness, I have come to learn a little about product
liability. Because this subject is so important to our industry and
because product liability laws are not well understood by many of
us, I have decided to share with you what I have learned. However,
it is important that you understand that I am not an attorney, that
my experience in this area is not vast, and that product liability
laws are state statutes which vary significantly from state to state.
At best, the material presented in this article should only serve
to provoke a thorough discussion of the subject with your attorney. |
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Japanese
Shell Break Radii |
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The National Fire Protection Association, Technical Committee on
Pyrotechnics is in the process of revising NFPA-1123, Code for the
Outdoor Display of Fireworks (formerly called Public Display of Fireworks).
In preparation for considering the appropriate separation distances
between spectators and mortar placements and between spectators and
fall-out areas, it seemed that it would be helpful to know how great
the break radius was for hard-breaking spherical shells. Thus an attempt
was made to collect that data. It was also felt that the data would
be of general interest to the pyro-community; it was in that belief
that this article was prepared. |
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CMC
- Its Properties and Uses |
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CMC, as it is commonly called, is more properly referred to as Sodium
Carboxymethylcellulose (carboxy-methyl-cellulose). In the food industry
it is also frequently referred to as cellulose gum. |
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| Reduction
of Shell Ignition Failures |
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A shell ignition failure means there will be a live dud in the fallout
area after a display. If that dud is not retrieved, is found by a
member of the public, and that person is subsequently injured as the
result of mishandling the dud shell, an insurance claim against the
shooter and manufacturer will almost certainly result. This article
presents a discussion of one method which can result in a significant
reduction of the number of shell ignition failures. |
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Determination
of Aerial Shell Burst Altitudes |
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One type of fireworks data generally only guessed at is the altitudes
of aerial shells at the time of their burst. In addition to addressing
general curiosity, this data is often necessary when designing major
aerial displays. Frequently it is important to know fairly accurately
at what altitudes the various shells will appear. The rule-of-thumb,
that shells break at about 100 feet per shell inch, may be a handy
guide but is only very approximate and does not address differences
between shell types and manufacturers. J. G. Taylor (Pyrotechnica
X) published a theoretical paper which discussed a triangulation
method for measuring the height of an explosion in the air. The paper
was elegant in its mathematical approach, but may have been somewhat
lacking in terms of practicality. The method suggested in this article
is less elegant but is also quite practical. |
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Pyrotechnic
Spark Generation |
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The intentional production of sparks in fireworks contributes significantly
to the beauty and spectacle of displays. However, in comparison to
the time and effort devoted to generating improved color formulations,
relatively little attention has been directed toward the possibilities
for new and improved spark generation. This article is offered in
the hope that a review of pyrotechnic spark generation might stimulate
increased effort in this area. It is acknowledged that this article
draws significantly on the published works of Takeo Shimizu. |
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Further
information about HDPE Mortars |
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Someone recently raised the question as to whether there could be
potential problems with high density polyethylene (HDPE) mortars from
contact with detergents and from exposure to sunlight. This article
was drafted in response to a request to address those concerns and
also to present an update on the status of acceptance of HDPE mortars
by display companies and regulatory agencies. |
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The
Use of Titanium in Pyrotechnics |
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Titanium is a very effective generator of white (silver) sparks
when used in the manufacture of fireworks. This is because of three
of its properties: it ignites easily and burns readily in air, it
has a high boiling point, and it is corrosion resistant. Because of
this unique combination of desirable properties, the use of titanium
in fireworks is generally easy, relatively safe and very effective.
Before discussing the ways in which titanium is used in fireworks
and giving some sample formulations, it is useful to discuss why the
properties mentioned above are so important for a pyrotechnic spark
generator. |
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Recommended
Lift Charge Amounts |
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One of the most frequently asked questions is “How much lift
powder do I need for my shell?”. Unfortunately, the answer is
not an easy one. The first reason is a lack of consensus regarding
the optimum height to which various sized shells should be propelled.
Of course, it is a requirement that burning components must not fall
to the ground, but that is where the consensus ends. For a 3-inch
shell, is 250 feet high enough or is 450 feet required? The second
reason is that after deciding on the proper height, there are still
a large number of other variables that determine the needed weight
of lift powder. |